Showing posts with label script. Show all posts
Showing posts with label script. Show all posts

25 May 2011

Call for Screenplay with Gay/ Lesbian Characters: One In Ten Screenplay Contest

Deadline: 1 September 2011

One In Ten Screenplay Contest is open to all writers and offers cash awards and industry contacts to the winners. A requirement of the competition is that at least one of the primary characters in the screenplay be gay or lesbian (bisexual, transgender, questioning, and the like) and that gay and lesbian characters must be portrayed positively. All writers are encouraged to enter!

Winners announced on November 15, 2011.

Rules

1. Screenplays must not have been previously optioned, produced, or purchased prior to September 1, 2011.
2. Screenplays must be original work of applicant(s).
3. Winning screenplay submissions written by 2 or more writers require all awards to be divided equally among the writers.
4. Screenplays must be in English.
5. Multiple submissions are accepted but each submission requires a separate entry form and separate fee.
6. Screenplays must be between 90 - 125 pages.
7. Cherub Productions is not responsible for screenplays lost, stolen, or lost in shipping.
8. Judges decisions are final.
9. Screenplays must contain at least one primary character who is gay, lesbian, bisexual, transgender or questioning.
10. Screenplays must portray the primary gay, lesbian, bisexual, transgender or questioning character positively.
11. Entry must be postmarked by September 1, 2011.
12. Each submission must be accompanied with a $45.00 (US) submission fee** (Payable to: Cherub Productions, One In Ten Screenplay Contest).

Entrants Outside of the United States

Please submit $45.00 (US) in cash or an international money order drawn on a US Bank.
Entry fees not drawn on a US Bank are subject to a $25.00 (US) bank processing fee.

Prizes for the 2011 Contest
  • 1st Place $1000 cash prize and submission to 5 studios / producers / agents
  • 2nd Place $500 cash prize and submission to 3 studios / producers / agents
  • 3rd Place $100 cash prize or Jungle Software
*Additional prizes provided by Script P.I.M.P.

Contact Information:

For inquiries: cherubfilm@aol.com

For submissions: click here

Website: http://www.screenplaycontests.com/oneinten/index.html
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23 May 2011

Director Seeking Writer For Gay-themed Short Film

I'm more of a director than a writer... I compose music and write lyrics but I can't seem to channel the kind of dialogue I want for a short movie. So that's where you come in!

I'm looking for someone who can bring the wit and come up with most if not all of the dialogue. I have the bigger picture in my head, so that leaves the writing details to you. PLEASE include some samples of your writing in your e-mail.

The short is definitely gay-themed, with fetishistic overtones, however it is NOT an adult movie. I want this to be humorous and a bit quirky. Be open and let's talk!

Location: Manhattan

Compensation: Let's talk

Contact Information:

For inquiries: gigs-chp8a-2396200765@craigslist.org

For submissions: gigs-chp8a-2396200765@craigslist.org
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16 April 2011

The Second Great Gay Screenplay Contest (Pride Films and Plays)

Deadline: 30 June 2011

The Great Gay Screenplay Contest

Purpose: To foster excellence in screenwriting that features GLBT characters, history, or themes important to the gay community, and relevant to our world. Started in 2010, The Great Gay Screenplay Contest is presented by Pride Films and Plays in conjunction with Chicago Filmmakers. Three rounds of judging result in fifteen semi-finalists, then five finalists, who win prizes (including cash) with the winning scripts being performed as staged readings during Reeling, the 2011 Chicago International Lesbian and Gay Film Festival.


This is an open contest for WGA writers and all others. Multiple entries by the same author will be accepted, providing each is accompanied by separate fee and submission materials. Applicants must be 18 years old at time of entry. Applications will be accepted between 12:10 am on May 1, 2011, and 12:59 PM on June 30, 2011 CST.

From their press release:

This contest seeks new screenplays that not only speak to the LGBT community, but are essential viewing for our friends, family, and co-workers.

The entry fee if submitted between May 1 and May 31 is $30. The entry fee if submitted between June 1 and June 30 is $45. Final deadline is June 30, 2011. Our reading committee of theater and film professionals across the country will select 15 semi-finalists, to be announced on August 15.

The five finalists will be announced on September 15, and the five final scripts will be performed as staged readings at the Hoover-Leppen Theater at Center on Halsted in Chicago October 23 - 26.

There will be one 'Juried Winner' and one 'People's Choice Winner.' The five finalists will each receive $400.

This is an open contest for all persons 18 years or older as of the date of entry. International entries are encouraged.

Contact Information:

For inquiries: pridefilm@gmail.com

For submissions: submit online here

Website: http://pridefilmsandplays.com
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02 April 2011

Gay-themed Screenplay Writer/ Partner Wanted (Los Angeles)

Reply to: gigs-atexe-2300089557@craigslist.org

I'm itching to write my next screenplay and would like to try writing with a partner. I like to write high-concept comedies in the vein of "40 Year Old Virgin", "The Hangover", and "Old School." I also like to write gay-themed dramas and comedies. I am inspired by movies like "Transamerica" and "Mysterious Skin" which appealed to both gay and straight audiences.

I've written several screenplays (short and feature-length) and produced a couple of them. Last year, I directed my first short film as well.

I'm looking for someone who lives in the Los Angeles area because I prefer to have in-person meetings. You should already have experience writing screenplays, and I'll want to trade writing samples.

Age or gender is not important. Just talent and drive. I'm a 46 year old male living in the Valley.

I'm well connected in the business, so getting the screenplay into the right hands won't be an issue at all.

Location: Los Angeles

Compensation: 50/50

More information here.
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18 March 2011

Open to LGBT Entries: 2011 Writers Block International Writing Competition

Deadline: 29 October 2011

The Writers Block International Writing Competition, a 501c(3) non-profit organization has officially opened its Call for Entries and will accept submissions from around the world of short and feature length scripts and manuscripts of all genres including documentary, horror, sci-fi, Wiccan, fiction and nonfiction, Religious/Spiritual, animation, and Gay/Lesbian for the 2011 competition.

The main focus of this writing competition is to possibly give new writers the break they deserve while showcasing the talents of veteran writers.

Whether you're writing for stage, film, television or are a novelist we can help you make the best first impression with agents and producers.

Our categories include Screenplays; Teleplays; Stage Plays and Manuscripts of all lengths and genres.

The winning script will be forwarded to agents and industry professionals for consideration.

The script selected as the first place winner shall receive a $1,000.00 cash award in addition to other benefits and prizes.

Top 20 finalists will:

• Be given exposure to literary agencies, film studios and Hollywood producers.
• Included in a Writers Block press release.
• Posted on the Writers Block Web site.
• Given further opportunities by having their scripts read by influential producers, publishers, agents and / or managers who play an active role in today’s industry.

Additional prizes will be announced as they are made available.

Script selections will be announced no later than November 26, 2011

Category Descriptions and Competition Rules

Competition Eligibility:

* Must be 18 years of age or older.
* Applicants under the age of 18 are allowed to enter this contest. Any applicant who is under the age of 18 must have a parent or legal guardian enter the competition on their behalf and provide their signature on each entry form submitted. Should an applicant under the age of 18 win the competition all monies and prizes will be made payable to the parent or legal guardian and/or that person whose name and signature appears on the application. Teachers may always submit entries on behalf of their students. Each entry must include the teacher's signature. Each entry must also include a copy of the teacher's teaching credential.
* The entered script must not be or previously been optioned, sold, or produced.

Writing Competition Rules:

* Any genre considered
* All screenplay, teleplay, stage play and manuscripts must be original work of the author
* Multiple authorship is allowed. If the script wins, the writers will divide the prize.
* Multiple entries are allowed, but their own completed entry form and their own appropriate entry fee must accompany each entry.
* No corrected pages or additional pages will be accepted after the script has been entered.
* All screenplay, teleplay, stage play and manuscripts submitted must be in English.
* Do not send originals, scripts will not be returned.
* All screenplay, teleplay, and Stage Play must be submitted in the particular industry standard format and bound with 2 or 3 brads unless submitted electronically as an Adobe PDF or Word File.
* Body pages must be correctly numbered.
* All screenplay, teleplay, stage play and manuscripts title page should only contain name of script.
* All screenplay, teleplay, stage play and manuscripts submitted must be on white paper.
* Covers must be card stock only
* Teleplays must be original material. We will not accept spec scripts for existing shows, treatments or reality television pilots.
* Teleplays must be hour or half-hour or one hour pilots. Additional material will not be read or considered.
* Teleplays must not have been previously optioned, purchased or produced.
* Manuscripts must not be bound or stapled. Please only send loose pages held together with a paperclip or by rubber band.

Screenplay and Teleplay Length:

* Feature Length screenplays should be 70 pages or more.
* Shorts length screenplays should be 69 pages or less.
* Teleplay Feature Length scripts no more than 60 pages.
* Teleplay Short Length Scripts should be no more than 42 pages.
* Stage Play Full Length scripts should be 50 pages or more.
* Stage Play Short Length Scripts should be 49 pages or less.

Manuscripts Length:

Short Length Manuscript:

* Micro-Fiction up to 100 words
* Flash Fiction 101 - 1,000 words
* Short Story 1,001 - 7,500 words
* Novellette 7,501 - 20,000 words

Full Length Manuscript:

* Novella 20,001 - 50,000 words
* Novel 50,001 -110,000 words
* Epics and Sequels Over 110,000 words

Stage Play Guidelines:

Script formatting is standardized to aid those who will be considering it for production or publication. Generally a page of a play means a minute to a minute-and-a-half of production. The standardized placement of the character names makes it easy for the actors, and the spare layout makes it simple to keep notes on the page as they go along.

Stage directions and scene descriptions are the main format elements unique to stage plays. Stage Palys scripts should include:

* Staging Directions
* Dialogue
* Acts and Scenes
* Time
* Synopsis of Scenes
* Staging directions should be indented
* Dialogue should not be indented

INSTRUCTIONS FOR STANDARD PROFESSIONAL PLAY FORMAT

* Use 12-point font throughout the manuscript.
* Avoid italics (except for occasional word emphasis).
* Use an ordinary serif face type such as Times New Roman or Palatino.

The title page and other preliminary pages should be arranged in the following order:

* Title Page
* Character Page (characters are listed in approximate order of importance with a short description of each next to his or her name)
* Setting & Time Page
* Scene Breakdown Page (optional)
-A scene breakdown page may be useful if you change locations and time periods. It’s also a good way to make complicated time structure clear to a reader. But if you have fewer than six scenes, it works as well to list them under each act on the Setting & Time Page.
Dialogue pages are formatted with a top margin of 0.75” – 1.0”, and a bottom margin of 1.0” – 1.5”.
* Left and right margins are set at around 1.0” (the first letter of each character name is centered, with the name then continuing out toward the right margin. Use tab settings for the alignment of character names rather than the center alignment function)
* Dialogue is single-spaced.
* Opening stage directions are centered on the page.
* Character stage directions and general stage directions occur within acts or scenes. They stand alone in the manuscript with parentheses and are single-spaced.

Guidelines for pagination:

* Numbering begins with the first page of dialogue.
* Numbers are always in the upper right-hand corner of the page.
* Each act is numbered consecutively through the end of an act: I-1 I-2 I-3
* The numbering for Act II begins again from scratch: II-1 II-2 II-3
* Plays structured in short formal scenes without Act designations are numbered consecutively with numerals only. If Act designations are also used—most playwrights do it this way—then follow the numbering system for plays in Acts.
* Preliminary pages, if numbered at all, are done with lower case Roman numerals.

Manuscript Category Summary:

Micro-Fiction

This very abbreviated story is often difficult to write, and even harder to write well, but the markets for micro fiction are becoming increasingly popular in recent times. Publishers love them, as they take up almost no room and don't cost them their budgets. Pay rates are often low, but for so few words, the rate per word averages quite high.

Flash Fiction

This is the type of short-short story you would expect to find in a glossy magazine, often used to fill one page of quick romance (or quick humor, in men's mags) Very popular, quick and easy to write, and easier to sell!

Short Story

The 'regular' short story, usually found in periodicals or anthology collections. Most 'genre' zines will feature works at this length

Novellette

Often a novellette-length work is difficult to sell to a publisher. It is considered too long for most publishers to insert comfortably into a magazine, yet too short for a novel. Generally, authors will piece together three or four novellette-length works into a compilation novel.

Novella

Although most print publishers will balk at printing a novel this short, this is almost perfect for the electronic publishing market length. The online audience doesn't always have the time or the patience to sit through a 100,000 word novel. Alternatively, this is an acceptable length for a short work of non-fiction.

Novel

Most print publishers prefer a minimum word count of around 70,000 words for a first novel, and some even hesitate for any work shorter than 80,000. Yet any piece of fiction climbing over the 110,000 word mark also tends to give editors some pause. They need to be sure they can produce a product that won't over-extend their budget, but still be enticing enough to readers to be saleable. Imagine paying good money for a book less than a quarter-inch thick?

Epics and Sequels

If your story extends too far over the 110,000 mark, perhaps consider where you could either condense the story to only include relevant details, or lengthen it to span out into a sequel, or perhaps even a trilogy. (Unless, of course, you're Stephen King - then it doesn't matter what length your manuscript is - a publisher is a little more lenient with an established author who has a well-established readership)

Manuscript Page Counts:

In most cases, industry standard preferred length is 250 words per page... so a 400 page novel would be at about 100,000 words. If you want to see what size book is selling in your genre, take a look on the shelves. If the average length is 300 pages, you're looking at a 75,000 word manuscript (approximately)

One reason it's harder for a new author to sell a 140,000 word manuscript is the size of the book. A 500+ page book is going to take up the space of almost two, 300 page books on the shelves. It's also going to cost more for the publishers to produce, so unless the author is well known, the book stores aren't going to stock that many copies of the 'door-stopper' novel as compared to the thinner novel.

Remember, these word- and page-counts are only estimated guides. Use your own common sense. Most novels are generally considered on the strength of the story itself, not on how many words you have squeezed into each chapter.

ABSOLUTELY NO INTERNATIONAL CHECKS, WIRE TRANSFERS, OR MONEY GRAMS WILL BE ACCEPTED. For all entries submitted outside the United States, we will only accept payment for submission fees in the form of INTERNATIONAL POSTAL MONEY ORDERS

Please mail all entries to:

Writers Block International Writing Competition
P.O. Box 346
Erie, Pa. 16512

Competition Awards:

Prizes for the winning script will include cash award of $1,000.00.

The winning script will be forwarded to agents and industry professionals for consideration.

All entries must be postmarked no later than the appropriate entry deadline they were submitted under. Additional entry fee will be required if not postmarked by the appropriate deadline. Entries received with uncompleted information will not be considered.

Download entry form >>

More information here.
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06 March 2011

Rapid Fire Productions Seeks Short Gay Script for New Sitcom "Twinks"

Reply to: auditions@rapidfireproductions.com

Rapid Fire Productions is interested in reading your short script for ideas for their new SITCOM!

"Twinks" will begin filming late April and will be filming at Scandal's in Downtown Portland, premise: think gay "Cheers". 4 roomies (3 guys, 1 female) are all gay but don't know it yet....but suspect the other roomies are gay. Comedy, done in good taste but willing to push the envelope!

Characters: KELLY, DANA, JAYME, SAMI

If you are interested in sharing your own story in script format or have a great idea for an episode please contact us!

You can send your ideas/scripts/questions to: auditions@rapidfireproductions.com

We'd love to hear your ideas! We are holding a casting call on March 26-27 and you of course may come and meet us! Bring your script or story!

Location: Portland

Compensation: great perks plus screen credit for writing

More information here.
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05 March 2011

Open to LGBT One-Act Scripts: The 2011 Portland Emergent Theatre Workshop

Deadline: 15 March 2011

Reply to:
gigs-9qbpf-2194878140@craigslist.org

Who we are:

The 2011 Portland Emergent Theatre Workshop is a non-profit theatrical enterprise whose mission is the development of the work of new and emerging artists, and the enrichment of the Pacific Northwest's community of Artists.

Feygon Nickerson, Artistic Director, has a Bachelor's Degree from Oregon State University's theatre arts program. He has been a participating director in the University Theatre's 2009 Student Written and Directed One Act Festival and its 2010 Student Directed One-Act Festival.

What we need:

We are now accepting unpublished stage manuscripts for consideration in the 2011 season. Primarily we are seeking one-act plays for the first quarter of the season, but full-length manuscripts will be considered for later in the season.

Extended Deadline for submission: March 15, 2011.

What it is:

This is an opportunity to see your work produced and directed as part of a complete evening of theatre. It grants the ability to see your work from a new perspective -- to find out how a director handles your vision, and what discoveries an actor makes in your words, plot, and characters. It is one of the most important steps in the development of great work.

How it works:

Up to 15 plays will be accepted for consideration at a reading, from which 3-6 will be selected for production.

If your manuscript is selected for consideration, you will be invited to a reading of considered works in Portland. After the reading, you will cast a vote for your own play and the three plays which you feel would best accompany it. The objective is not to select plays which "match" one another, but rather create a complete evening of theatre. The Artistic Director will select the play which is most closely aligned with the mission of the Portland Emergent Theatre Workshop, and will tabulate the votes for those plays which should accompany it. The Workshop will attempt to preserve plurality and anonymity in the voting process.

All manuscript submissions will be treated as copyrighted material. Selected works will remain the property of their authors. The manuscripts considered at the reading will be the versions produced in the Workshop. Significant revision between selection for the reading and the date of the reading must be negotiated. The script you submit should be revised and polished -- we understand that no work is ever finished.

Writers will be invited to audition, but will not be cast in their own plays. Writers will be granted one full pass and one complimentary ticket.

One-Act Guidelines are as follows:

  • Unpublished works only, fiction or nonfiction (please specify if your work is nonfiction).
  • 10-25 minutes (It is recommended that you read your piece aloud to pace it.)
  • 1-5 characters (9 of the 10 top performed plays of 2009 had 4 or fewer actors.)
  • Include Dramatis Personae with character age and gender ranges
  • Unit/Box set staging required.
  • All genres accepted. (Groundbreaking, forward-thinking theatre is highly preferred, especially where manuscripts push the envelope in respect to LGBT(QIAP) themes.)

Feygon Nickerson, Artistic Director
2011 Portland Emergent Theatre Workshop

Location: Oregon

Compensation: no pay

More information here.
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02 February 2011

Call for LGBT-Themed Scripts: Outfest Screenwriting Lab

Deadline: 4 February 2011

Outfest Screenwriting Lab

Script submission early deadline: January 24, 2011 / final deadline: February 4, 2011

Continuing Outfest's commitment to supporting LGBT-themed films from conception to exhibition, this Lab nurtures screenwriters and promotes screenplays featuring LGBT characters and/or themes. The authors of five screenplays are invited to participate in a dynamic three-day workshop in Los Angeles in June 2011, working closely with established mentor writers.

Submission forms, rules and regulations are available on Withoutabox.

More information here.
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11 January 2011

Call for Gay/ Lesbian Scripts: 2011 Script Jems Screenwriting Competition

Deadline: 26 March 2011 (early deadline), 26 November 2011 (final deadline)

Script Jems Screenwriting Competition has officially opened its Call for Entries and will accept submissions from around the world of short and feature length screenplays and teleplays of all lengths and genres including Documentary, Comedy, Horror, Fantasy, Supernatural, Sci-Fi, Wiccan, Fiction and Nonfiction, Religious/Spiritual, Animation, and Gay/Lesbian for our 2011 competition.

If you have a passion for storytelling and have embarked on a career creating the stories and characters that drive today's media and you are ready to take your creativity and effectively market your work in the entertainment industry then Script Jems Screenwriting Competition is the place for you.

The script selected as the official first place winner shall receive a $500.00 cash award in addition to other benefits and prizes.

PLEASE READ AND FOLLOW ALL BELOW INSTRUCTIONS

Scriptwriting Eligibility:

• Must be 18 years of age or older

• The entered script must not be or previously been optioned, sold, or produced

Scriptwriting Rules:

• Any genre considered

• Scripts must be original work of the author

• Multiple authorship is allowed. If the script wins, the writers will divide the prize.

• Multiple entries are allowed, but their own completed entry form and their own appropriate entry fee must accompany each entry.

• No corrected pages or additional pages will be accepted after the script has been entered.

Script Guidelines:

• Submitted Scripts must be in English.
• Do not send originals, scripts will not be returned.
• Scripts must be in industry standard format and bound with 2 or 3 brads unless submitted electronically as an Adobe PDF or Word File.
• Body pages must be correctly numbered.
• Script title page should only contain name of screenplay.
• Must be on white paper.
• Covers must be card stock only

Teleplay Rules:

• Teleplays must be original material. We will not accept spec scripts for existing shows, treatments or reality television pilots.
• Teleplays must be hour or half-hour or one hour pilots. Additional material will not be read or considered.
• Teleplays must not have been previously optioned, purchased or produced.

Script Length:

• Feature Length scripts 70 pages or more
• Shorts Length scripts 69 pages or less
• Teleplay Feature Length scripts no more than 60 pages
• Teleplay Short Length Scripts no more than 30 pages

All entries must be postmarked no later than the appropriate entry deadline they were submitted under. Additional entry fee will be required if not postmarked by the appropriate deadline. Entries received with uncompleted information will not be considered.

ABSOLUTELY NO INTERNATIONAL CHECKS, WIRE TRANSFERS, OR MONEY GRAMS WILL BE ACCEPTED. For all entries submitted outside the United States, we will only accept payment for submission fees in the form of INTERNATIONAL POSTAL MONEY ORDERS. U.S. Currency only.

Checks returned to us will incur a standard $25 fee that must be paid, even if you choose to pull your script from the competition.

Script selections will be announced no later than December 17, 2011

Please mail all entries to:

Script Jems Screenwriting Competition
5148 Peach Street
Suite #340
Erie Pa 16509

More information here.
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16 December 2010

Call for Gay Scripts for Summer Show: GuyWriters

Deadline: 20 January 2011

Founded in the spring of 2004, GuyWriters is a community network for gay writers in the San Francisco Bay Area. Its purpose is to celebrate and support literary creativity in the gay male community. GuyWriters is a member of the Intersection Incubator, the fiscal sponsorship program of the Intersection for the Arts (www.theintersection.org). The Intersection is San Francisco's oldest alternative arts space, presenting groundbreaking works in the literary, performing, visual and interdisciplinary arts.

Playwrights of all ages and backgrounds are welcome, no membership dues required.

The show dates are now set and their next performance is scheduled in May 2011. Submissions for the summer show are due on January 20, 2011. Please submit your scripts to rstovall@prodigy.net

More information here.
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27 July 2010

Scriptwriting 2010 Call For Entries

Our competition accept submissions internationally of scripts of all genres including gay/lesbian, documentary, horror, experimental, animation, and religious/spiritual.

The Directors Circle Scriptwriting Competition strives to discover scriptwriters and to transform their dreams into reality through discovery, international recognition, and career development.

Our competition is open to everyone, however script must not have been previously optioned, purchased, or currently be in production or previously produced.

The Director's Circle Scriptwriting Competition offers a $5,000.00 cash award to our first place winner of the 2010 competition among other prizes. The winning script will be forwarded to agents and industry professionals for consideration.

ALL competition winners, runners-up, and finalists will earn the chance to have their scripts read by established production companies and agents in LA and NY.

PLEASE READ AND FOLLOW ALL BELOW INSTRUCTIONS

Competition Rules:

* All genres are accepted.
* Must be 18 years of age.
* All countries are eligible.
* Scripts must be submitted in English.
* Feature Length Scripts should be between 80 (minimum) and 125 (maximum) pages not including the title page.
* Short Length Scripts should be between 1 (minimum) and 50 (maximum) pages not including the title page.
* Scripts should be properly formatted. Print on white paper using only 12 pt. Courier, or 12 pt. Courier Final Draft fonts.
* Covers must be card stock only
* Please include ONLY the title and the tracking number on the submitted manuscript to prevent reader biases. Full contact info, writer, title and company information should not be printed on any part of the actual screenplay.
* Body pages must be correctly numbered.
* Printed screenplay submissions should be bound with two or three brass fasteners.
* Electronic screenplay submissions should be in Adobe PDF or Word format
* All submitted submissions become property of the Directors Circle Scriptwriting Competition and will not be returned. At the end of the competition, the Directors Circle will destroy all screenplays.
* With the exception of the 10 finalists, rewritten/corrected pages WILL NOT be accepted once the entry has been received.
* Script submissions must be postmarked by deadline dates.
* Scripts must not have been previously optioned, purchased, in production or produced.
* Any script that becomes purchased, optioned or put into production before the final deadline will be eliminated from competition with no entry fee refund.
* Scripts written as adaptations of other works must have secured rights before being submitted.
* Scripts must be original work of the author
* Multiple authorship is allowed. If the script wins, the writers will divide the prize.
* Multiple entries are allowed, but their own completed entry form and their own appropriate entry fee must accompany each entry.

Film and script selections will be announced no later than October 2, 2010.

All entrants will receive confirmation of receipt of entry via email and all entrants will notification of acceptance or non-acceptance to the festival.

SOURCE
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